Cretan Stitch Conversations

Cretan Stitch Conversations

Isobel Currie, Cretan Stitch Conversations
Isobel Currie, Cretan Stitch Conversations
Isobel Currie, Cretan Stitch Conversations
Isobel Currie, Cretan Stitch Conversations
Isobel Currie, Cretan Stitch Conversations
Isobel Currie, Cretan Stitch Conversations
Isobel Currie, Cretan Stitch Conversations
Isobel Currie, Cretan Stitch Conversations
Isobel Currie, Cretan Stitch Conversations

2020
33 x 23 x 18 cm
Acrylic box, polyester fabrics and threads

Exhibited in 62 Group exhibition ‘Conversations: People, Places, Materials, Objects’ Hampshire 2021

This work uses Cretan Stitch to diagrammatically map an artist’s internal conversations. The multiplicity of stitched thread lines represent the many unspoken dialogues artists engage in to distill down a myriad of ideas and possibilities towards the endpoint of a single unified design.

Photos: Isobel Currie

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Running Stitch Under Construction

Running Stitch Under Construction

Isobel Currie, Running Stitch Under Construction
Isobel Currie, Running Stitch Under Construction
Isobel Currie, Running Stitch Under Construction
Isobel Currie, Running Stitch Under Construction
Isobel Currie, Running Stitch Under Construction
Isobel Currie, Running Stitch Under Construction

2019
36 x 23 x 20 cm
Acrylic box, organza fabric, cotton threads, metal needles.

Exhibited in ’Construct’ 62 Group exhibition, Sunny Bank Mill, Yorkshire.

Needles are frozen in the act of construction, making visible the journey of needle and thread as they travel through the fabric to create a design in running stitch.

Photos: Isobel Currie

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Lazy Daisy Lily

Lazy Daisy Lily

Isobel Currie, Lazy Daisy Lily
Isobel Currie, Lazy Daisy Lily
Isobel Currie, Lazy Daisy Lily
Isobel Currie, Lazy Daisy Lily
Isobel Currie, Lazy Daisy Lily
2019
Size: 36 x 36 x 6 cm
Acrylic box. Cotton threads, glass beads.
Photos: Jack Armour.
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Fly Stitch Autumn Landscape

Fly Stitch Autumn Landscape

Isobel Currie, Fly Stitch Autumn Landscape
Isobel Currie, Fly Stitch Autumn Landscape
Isobel Currie, Fly Stitch Autumn Landscape
Isobel Currie, Fly Stitch Autumn Landscape
Isobel Currie, Fly Stitch Autumn Landscape
Isobel Currie, Fly Stitch Autumn Landscape
Isobel Currie, Fly Stitch Autumn Landscape
Isobel Currie, Fly Stitch Autumn Landscape
Isobel Currie, Fly Stitch Autumn Landscape

2018
Size: 34 x 11 x 45 cm
Acrylic box, cotton threads, organza fabric, glass beads.

Exhibited in 62 Group touring exhibition ‘Ctrl/Shift’ 2018/19.

I wanted to explore the traditional and popular subject of the embroidered landscape but rendered it in a contemporary form. My inspiration was the topology of the Peak District, with its unexpected steep dales carved by water from the higher flat lands. The strong V shape of fly stitch is suggestive of valley sides, and converging and diverging stitches follow flowing curves and sculpt the three dimensional shapes of the hills and dales.

Photos: Isobel Currie

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Woven Star Galaxy

Woven Star Galaxy

Isobel Currie, Woven Star Galaxy
Isobel Currie, Woven Star Galaxy
Isobel Currie, Woven Star Galaxy
Isobel Currie, Woven Star Galaxy
Isobel Currie, Woven Star Galaxy
Isobel Currie, Woven Star Galaxy
Isobel Currie, Woven Star Galaxy

2016
42 x 42 x 42 cm
Acrylic box, polyester threads, glass beads

Exhibited in ‘Making Space’ 62 Group exhibition in Macclesfield 2016 and Edinburgh 2017.

Photos: Jack Armour

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Cross Stitch Column

Cross Stitch Column

Isobel Currie, Cross Stitch Column
Isobel Currie, Cross Stitch Column
Isobel Currie, Cross Stitch Column
Isobel Currie, Cross Stitch Column
Isobel Currie, Cross Stitch Column
Isobel Currie, Cross Stitch Column
Isobel Currie, Cross Stitch Column
Isobel Currie, Cross Stitch Column
2015
35cm high, 10cm diameter
Acrylic tube, viscose threads

A single stack of cross stitches rises straight up a central axis, however the angle at which the two arms of the stitch intersect changes gradually as the stitches progress up the tube.

Photos: Isobel Currie

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Cross Stitch Spirals

Cross Stitch Spirals

Isobel Currie, Cross Stitch Spirals
Isobel Currie, Cross Stitch Spirals
Isobel Currie, Cross Stitch Spirals
Isobel Currie, Cross Stitch Spirals
Isobel Currie, Cross Stitch Spirals
Isobel Currie, Cross Stitch Spirals
Isobel Currie, Cross Stitch Spirals
Isobel Currie, Cross Stitch Spirals
2015
Size: 35cm high, 10cm diameter
Acrylic tube, viscose threads

Two rotating stacks of cross stitch are layered together. The axis of one stack remains central while the other gradually shifts from side to side as the stitching moves up the work.

Photos: Isobel Currie

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Fly Stitch Sand Ripples

Fly Stitch Sand Ripples

Isobel Currie, Fly Stitch Sand Ripples
Isobel Currie, Fly Stitch Sand Ripples
Isobel Currie, Fly Stitch Sand Ripples
Isobel Currie, Fly Stitch Sand Ripples
Isobel Currie, Fly Stitch Sand Ripples
Isobel Currie, Fly Stitch Sand Ripples
Isobel Currie, Fly Stitch Sand Ripples
Isobel Currie, Fly Stitch Sand Ripples
Isobel Currie, Fly Stitch Sand Ripples

2014
Size: 25 x 10 x 25 cm
Acrylic box, cotton threads, organza fabric

Exhibited in 62 Group exhibition ‘Ebb and Flow’, Grimsby 2014

The ebb and flow of the tide that shapes the sand at Cleethorpes beach into sculpted ripples inspired this work which is stitched in a three dimensional interpretation of fly stitch. The sunlight playing over the sand creates ever changing shades of colour.

Photos: Isobel Currie

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Point De Sorrento Shoals

Point De Sorrento Shoals

Isobel Currie, Point De Sorrento Shoals
Isobel Currie, Point De Sorrento Shoals
Isobel Currie, Point De Sorrento Shoals
Isobel Currie, Point De Sorrento Shoals
Isobel Currie, Point De Sorrento Shoals
Isobel Currie, Point De Sorrento Shoals
Isobel Currie, Point De Sorrento Shoals
Isobel Currie, Point De Sorrento Shoals
Isobel Currie, Point De Sorrento Shoals
Isobel Currie, Point De Sorrento Shoals

2013
Size: 29 x 15 x 13 cm
Acrylic box, rayon threads, glass beads

Exhibited in 62 Group exhibition ‘Ebb and Flow’, Grimsby 2013

Shoals of bead fish ebb and flow through a point de sorrento seascape: this variation of detected buttonhole stitch is used to evoke not only the sun-dappled patterns of the sea, but also the nets in which the fish may be caught.

Photos: Isobel Currie

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