Fly Stitch Autumn Landscape
Fly Stitch Autumn Landscape
2018
Size: 34 x 11 x 45 cm
Acrylic box, cotton threads, organza fabric, glass beads.
Exhibited in 62 Group touring exhibition ‘Ctrl/Shift’ 2018/19.
I wanted to explore the traditional and popular subject of the embroidered landscape but rendered it in a contemporary form. My inspiration was the topology of the Peak District, with its unexpected steep dales carved by water from the higher flat lands. The strong V shape of fly stitch is suggestive of valley sides, and converging and diverging stitches follow flowing curves and sculpt the three dimensional shapes of the hills and dales.
Photos: Isobel Currie
Woven Star Galaxy
Woven Star Galaxy
2016
42 x 42 x 42 cm
Acrylic box, polyester threads, glass beads
Exhibited in ‘Making Space’ 62 Group exhibition in Macclesfield 2016 and Edinburgh 2017.
Photos: Jack Armour
Cross Stitch Column
Cross Stitch Spirals
Fly Stitch Sand Ripples
Fly Stitch Sand Ripples
2014
Size: 25 x 10 x 25 cm
Acrylic box, cotton threads, organza fabric
Exhibited in 62 Group exhibition ‘Ebb and Flow’, Grimsby 2014
The ebb and flow of the tide that shapes the sand at Cleethorpes beach into sculpted ripples inspired this work which is stitched in a three dimensional interpretation of fly stitch. The sunlight playing over the sand creates ever changing shades of colour.
Photos: Isobel Currie
Point De Sorrento Shoals
Point De Sorrento Shoals
2013
Size: 29 x 15 x 13 cm
Acrylic box, rayon threads, glass beads
Exhibited in 62 Group exhibition ‘Ebb and Flow’, Grimsby 2013
Shoals of bead fish ebb and flow through a point de sorrento seascape: this variation of detected buttonhole stitch is used to evoke not only the sun-dappled patterns of the sea, but also the nets in which the fish may be caught.
Photos: Isobel Currie
Interlaced Aurora
Herringbone Curve
Or Nué Reimagined
OR NUÉ REIMAGINED
2011
12 x 17 x 20 cm
Acrylic box, golden cord, stranded cotton and nylon monofilament
Winner of the Embroiderers’ Guild President’s Cup and Valerie Campbell Harding Prize for Innovation 2011
The Embroiderers Guild Challenge in 2011 provided me with an opportunity to explore the traditional technique of Or Nué, a form of couching, inspired by a work made by Margaret Nicholson. I reinterpreted the technique in a modern dynamic way by exploring its three dimensional spatial qualities while retaining the painstaking technical accuracy for which the technique is known.
Photos: Isobel Currie










































































